When you look at the face of the young pregnant woman, did you notice how uncomplicated it was? It was really childlike. Mel Gibson: Yes, there's something that you cannot counterfeit. Was that something you wanted to capture? People that really did live that way? She's really from a village where she lives on the dirt, in a hut, in a village smaller than the one you saw here where those people lived. what an amazing child! She's seven years old. We'd see people and go, "Wow!" Like that little girl that played the Mayan. You couldn't tell anybody why you were checking them out. There was a guy Farhad found off at the docks.įarhad Safinia: It was a strange day. It was a very long process of finding the right people. It took a little give and take but it was amazing how they picked up. None of these people had acted much before, ever, so that was a challenge for them and for me. I went to Mexico, we did a lot of casting from down there. I think this is the first film ever where you didn't have somebody like me, it had just indigenous, Native American guys in the four biggest parts. It's important if you're doing a film like this that everybody can identify with them immediately. When I met him that's what I got from him. So that if you had the "hero guy," you wanted that guy. Mel Gibson: Well, when you're looking for a specific story, I consider this a major motion picture, Farhad and I wrote it and we went out and found the people but it was important in my mind, that the people that we found, be in some way immediately identifiable as some kind of archetypal types in a mythic sense. The rest of the film was shot closer to the city of Vera Cruz. Mel Gibson: In the jungles of Catemaco, Vera Cruz. It was out there in the woods and we were treating it like a camera should be treated. It's not inside a studio all nice and friendly. This was really the place where Genesis got put to the test. Superman and Click, I think shot on Genesis. We were really test pilots for a different system now. What's exciting to me is having to come up with a lot of different ways of doing things. What it does to you, you're bitten and sweating, it's tough on all the performers, the crew, and it's unwieldy, especially when you have to move at speeds because you can see how fast this kid could run. it wasn't difficult and it wasn't difficult for the actors to get a handle on it.
You kind of have an ear for what they're saying. Mel Gibson: It's not difficult because there's not that much dialogue.
How difficult is it for you to direct in a language you don't speak? I actually tried to hook it on to a real place. It was important to find the right place. That's about as minimum and as primal as it gets." Then you start searching an environment which that could have happened. There's train chases, car chases, horse chases." I thought, "A foot chase. I thought, "Well, there's all kinds of chases.
Where was apocalypto filmed movie#
I've been wanting to do a chase movie forever. Mel Gibson: It's was just a story that kind of appealed to me. Why did you decide to follow up The Passion of the Christ with such an arduous film? This has more of a biblical kind of feel to it. I always felt like, "How could that old guy get away from those guys?" I think we're all influenced by whatever we've seen but that film didn't have the sort of social and civilization aspects that this has.
Mel Gibson: Man, that's a cool little movie. Where you inspired at all by the film The Naked Prey? Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life. When his idyllic existence is brutally disrupted by a violent invading force, a man is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Afterward, we sat down to discuss the process of making the film with Gibson and Apocalypto co-writer Farhad Safinia.Īpocalypto is a heart stopping mythic action-adventure set against the turbulent end times of the once great Mayan civilization. Taken from a place deep inside the filmmaker, we had the chance to see an early cut of his end of the Mayan civilization opus. Layered with many themes that are as applicable to the period the movie is covering as they are to now, Apocalypto is the kind of film that helps define the word epic. While I am not saying this excuses certain aspects of his behavior, I feel that his most recent film Apocalypto is nothing short of extraordinary. Mel Gibson, love him or hate him, is one talented person.
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